Mira Janssen

This is a site about erotic hypnosis, written for consenting adults. It is not therapy, and it is not for minors.

Mira Janssen

Mira Janssen · The Masterclass

Nobody ever taught you the words.

Erotic hypnosis isn’t a talent you were born without. It’s a craft — and this is the training: two volumes that walk you from the first four-minute proof to the evening you speak freely, no page in your hand.

Both volumes · in print on Amazon

Not ready? Read a whole script from it first.

breathe out, and scroll
Intro-Film „Three Sentences In", 36,4 s, sechs Grok-Einstellungen, harte Schnitte, Typografie nachträglich in Iowan Old Style gelegt. Autoplay stumm ohne Loop, kein Skip-Button — die Seite bleibt die ganze Zeit scrollbar. Wenn Autoplay blockiert ist oder der Besucher reduzierte Bewegung eingestellt hat, wird der Film übersprungen und die Seite steht sofort da. Darunter läuft weiter der Kerzen-Loop, damit der Grund nie schwarz fällt.

It's dark. Their breathing has already slowed. You've got about three sentences left.

Then you go quiet, and hope they don't notice.

It is not a gift. It is a craft.

Two volumes. More than eighty scripts, written out word for word.

What you say first. Where your body goes. What to do when it doesn't land.

The next sentence is already written.

Five sentences · at the pace they are spoken

A descent · read it at this pace

Most of what’s written about erotic hypnosis explains it. Almost none of it lets you feel it. These are the sentences themselves, arriving as slowly as you’d say them.

Asset B — der Block, der über den Kauf entscheidet. Bild läuft (derselbe Grok-Clip, weichgezeichnet). Was fehlt, ist die Stimme: echte Sprecherin, ~300–600 € Buy-out, dieselbe Aufnahme trägt Leadmagnet + fünf Sequenz-Mails + spätere Audio-Edition. Der Wortlaut hier ist Platzhalter bis zur EN-Übersetzung.

Almost nobody fails at technique.

They fail because after the third sentence, they don’t know what to say next.

You’ve read the theory. You know what an induction is, roughly, and you could explain trance at a dinner party. Then the room is dark, someone you love is lying there with their eyes closed and waiting — and the whole thing collapses into silence, because knowing about it was never the same as having the words.

That’s the gap the Masterclass closes. Not more theory. The actual sentences, in the actual order, with the direction notes in the margin and a plan B for the moment it doesn’t land.

Free, no sign-up

You can start tonight without spending anything.

Three complete guides sit open on this site. No form, no email address, no excerpt that stops at the interesting part — the whole sequence, to use.

How to hypnotise someoneThe first proof, in four minutes. Two index fingers, no trance, nothing sexual. A hypnosis inductionOne complete induction to read aloud — wording, pacing, the way back out. Self-hypnosisSix steps you can do alone, without a partner.

Afterwards you'll know whether this suits you. That's the point at which the question of buying anything becomes worth asking.

Three people this was written for

You’ll recognise yourself in one of these, or this isn’t your book.

The one who runs dry

You’ve done it once and it half-worked. You got them under, and then you stood there in the dark improvising, and you could hear yourself repeating the same three phrases. You don’t need to be convinced it works. You need material.

The one who’s read everything

Fifteen books, four forums, a folder of scripts. You can define an anchor. You have never once set one that was still working three weeks later — because nobody wrote down the maintenance, only the trick.

The couple where nothing happens

They sink beautifully. They lie there deep and relaxed and — nothing. The evening stays oddly quiet. The problem isn’t your induction. It’s the assumption that deep equals good.

An open hand resting on a dark sheet in low lamplight.
Volume One · the body scan

The six stages

An apprenticeship, in the order a body learns it.

Every stage is taught the same way: you’re shown the thing, you read it aloud that evening, and you’re told exactly what to watch for afterwards to know whether it held. Under each stage are the chapters that carry it — so you can see where in the book it happens, instead of being handed a list of names.

One

Feel

Your first evening isn’t a trance — it’s a proof. Four convincers you read to your partner — magnetic fingers, the book test, arm levitation, light catalepsy — until you’ve both felt that suggestion is real. Each with a plan B for when it doesn’t take.

Afterwards you both know: it’s real.

Volume One“Why convincers” · “Magnetic fingers” · “The book test” · “Arm levitation” · “Light catalepsy” · “Which convincer when”

Two

Lead

The first induction you read out loud. Sinking, the body scan, deepening, and the two-part combination — then the five-wave arc of a whole evening, with a 45-minute skeleton and a clean way out.

Afterwards you carry an evening, not just a text.

Volume One“Choosing an induction” · “The sinking induction” · “Body scan” · “Deepening relaxation” · “Combining a two-part induction” · “Building an erotic evening” · “The play of waves” · “Coming out”

Three

Heat

Appetite and satiety. Two ways to soften a block — the ice block and the waterfall. Soften, never force: the difference between those two verbs is the entire ethic of this craft.

Afterwards you know how heat builds without anyone forcing it.

Volume One“What ‘block’ means here” · “The ice block” · “The waterfall” · “Hunger and desire speak the same language” · “Sated desire” · “When you do this work — and when you don’t”

Four

Hold

The complete anchor system across six channels — word, touch, scent, look, object, and one you build yourself — with its full life cycle: set, test, stack, keep warm, release, repair. And the afterglow window, where an anchor installs deepest.

Afterwards you can set what stays — and tend what fades.

Volume Two“The anchor finder” · “Six channels — which one when” · “Where the tool breaks” · “The afterglow window” · “After the peak: the hottest install moment in this book” · “Building freely — the master recipe in ten steps”

Five

Answer

The finger signal. Your partner answers you without surfacing, which turns a monologue into a conversation and keeps consent live in the middle of trance. Plus the honest chapter on what the signal cannot do.

Afterwards trance is a conversation, not a lecture.

Volume Two“The signal: when the finger answers” · “No oracle: what the signal can and cannot do” · “Calibrating: setting up the fingers” · “The signal in bed”

Six

Build

Thirteen inner rooms written out in full, twenty doors to build on, four routes that chain rooms into a single evening. Then you write your own: twenty-four rebuild pairs teach the grammar of hot language line by line, until you speak without the page.

Afterwards you write your own — and eventually need no page at all.

Volume Two“The method of inner rooms” · “Entering the house” · the thirteen Room chapters · “Leading a route” · “The pattern catalogue” · “Freestyle without the page”

Dust turning slowly inside a single beam of warm light.
Volume Two · the senses-waker

The path

Who you are when you're through.

The Masterclass isn't reading matter, it's a course of training. Every station below exists as an actual practice plan in the volumes — the pace is yours.

Tonight

The first proof

Four minutes, the free script further down this page. No belief required, nothing sexual — just two index fingers and the moment you both see: suggestion is real.

Week one

The first induction, out loud

Sinking, read from the page. The embarrassment lasts about one evening; then the text carries you — the line endings are your breath marks.

Week four

Your first whole evening

Five waves, forty-five minutes, a clean way out. Volume One closes with a four-week practice plan that leads exactly here.

Volume Two

Evenings become a repertoire

Anchors across six channels that you set, tend and release again. Inner rooms. The finger signal your partner answers with in the middle of trance.

Week 8–12

You speak without the page

Volume Two ends with the plan for getting there: your own texts, built on the grammar you carry in your fingers by then. The book stays on the shelf — the words are yours.

What you won't find here: guarantees about another person's body. Anyone who promises you those is selling — more on that further down.

The format

Every script is set the same way, so you never have to hunt.

More than eighty scripts across both volumes. The full ones are built on the same seven questions in the same order, so after the third you stop reading the headings — you just know where to look.

OneWhat you needObjects, light, time. Usually almost nothing.
TwoWhat you say beforehandThe waking sentences. Consent lives here, not in a lecture.
ThreeBody and positionWhere they lie, where you sit, which hand is free.
FourThe wordsVerbatim. Set large, left-aligned, unhyphenated — the line breaks are breath marks.
FiveDirectionWhere to slow down, where to drop your voice, how long to hold the silence.
SixAfterwardsThe signs that tell you it held — and they’re rarely the ones you expect.
SevenPlan BWhat you say when it doesn’t land. Every fully built script carries one.
Das 7-Punkte-Raster ist echt und steht so in beiden Manuskripten („Was du brauchst / Was du vorher sagst / Körper und Position / Wortlaut / Regie / Danach / Plan B"). 112 = 56 Skripte in Band 2 plus die Skriptblöcke aus Band 1 — vor dem Launch noch exakt nachzählen.

Take one with you

Here is a whole script. Free, complete, nothing held back.

This is the first convincer in Volume One. Four minutes, no trance, nothing sexual — its only job is to show a body that suggestion is real. Read it tonight and judge the rest of the Masterclass by it.

Set the way the book sets it: large, left-aligned, unhyphenated. A line ending is where you breathe — that’s a typesetting decision made for the voice, not for the eye.

Volume One · Convincer 1

Magnetic Fingers

What you need

Nothing. Two hands, four minutes, and somewhere to sit where nobody walks in.

What you say beforehand

Say it plainly, in your own voice, while you’re both still fully awake:

“I want to show you something. It isn’t magic and I can’t make you do anything — you’ll see that in a second. Your body just does this on its own. If you want to stop at any point, say stop and we stop. Nothing else needs to happen tonight.”

Body and position

Sitting, facing each other, close enough that you could touch but aren’t. Their hands free. Warm room. One lamp, not the ceiling light.

The words

Hold your hands out in front of you.
Palms facing each other, about this far apart. Yes — like that.
[pause, let them settle]
Now look at the gap between your hands. Not at me. At the gap.
And while you look at it, I want you to imagine there’s a magnet in each palm.
Not a strong one. A small one. But it’s there, and it’s pulling.
[slower now]
You don’t have to move your hands. You don’t have to help.
Just keep looking at the gap, and notice — that the gap is getting smaller.
Smaller. All by itself.
The magnets are doing it, and your hands are simply allowing it.
[when the hands are almost touching]
And when they touch, you’ll feel exactly how little of that was you.

Direction

Drop your voice a little on every “smaller”. Never speed up — if you rush this, you’re the one who breaks it. When their fingers twitch, say nothing; let it happen. The silence you can hold is worth more than the next sentence.

Afterwards — how you know it held

Not the hands. Watch the face. If they laugh a half-second too late, or look at their own hands like they belong to someone else — that’s the moment, and it’s the moment the rest of the Masterclass is built on. Say: “That’s all it is. That’s the whole thing.” Then let it go and talk about something else.

Plan B

If the hands don’t move, nothing has gone wrong and you say so out loud — immediately, lightly, before they can feel like they failed. “Some people’s hands do it, some people’s don’t, it means nothing.” Then switch to the book test, which works on almost everyone, because it uses weight instead of imagination. Never repeat a convincer that didn’t land. Never.

Eighty more like this inside — the Masterclass, in print on Amazon.

Diese Seite ist der stärkste Vertrauens-Hebel der ganzen Site: ein vollständiges Skript verschenken, statt es anzuteasern. Der Text hier ist meine EN-Fassung des Convincers — beim Launch durch die echte Übersetzung aus Band 1 ersetzen, damit Wortlaut und Buch identisch sind.

What you actually get

Two volumes. One apprenticeship.

Volume One is where you start, whatever you’ve read before. Volume Two assumes you can already do everything in Volume One — it’s a workbook, not an introduction.

Volume One Cover of Volume One

The Foundation

From the first touch to a full evening.

It starts at zero — what trance is, how you recognise it, and the hard list of when this work is left alone. Then four convincers, four inductions and the arc of a whole evening through to a clean way out. Every script is written out verbatim, with the direction notes in the margin and a plan B for the moment it doesn’t land.

The volume closes with a four-week practice plan. Work through it and you have your first evening behind you, rather than having read how one would go.

329 pages · 67 chapters · 60,854 words

Volume Two Cover of Volume Two

The Advanced Craft

Anchors, inner rooms, your own words.

A workbook, not a second run-up. The senses-waker wakes instead of putting anyone to sleep. The anchor system runs across six channels and through its whole life — set, stack, keep warm, release, repair when it sticks. And the finger signal turns the lecture into a conversation.

Thirteen inner rooms lie written out in full, and beside them the grammar you’ll eventually use to write your own. The closing plan gives you eight to twelve weeks to your first evening without the page.

438 pages · 100 chapters · 81,065 words

Where to buy them

For anyone who wants to see all of it

And if you’d still rather read every chapter name, you can.

What the sections do to you is above — that’s the more useful answer. If you’d rather see the bare spine of both volumes before you buy, open it here: in order, nothing left out that we didn’t say we left out.

Show every chapter in both volumes

Volume One · The Foundation

  1. 01How to use this book
  2. 02Ethics, consent, confidentiality
  3. 03Contraindications — the hard list
  4. 04What you don’t get here
  5. 05The Yes
  6. 06What erotic hypnosis is
  7. 07Two trances: bright and deep
  8. 08How you recognise trance
  9. 09The part under the surface
  10. 10Steering depth
  11. 11Rapport
  12. 12Building an erotic evening
  13. 13An evening in numbers — the 45-minute skeleton
  14. 14Coming out
  15. 15The play of waves
  16. 16Settling time
  17. 17Negations
  18. 18How to practise
  19. 19Why convincers
  20. 20Magnetic fingers
  21. 21The book test
  22. 22Arm levitation
  23. 23Light catalepsy
  24. 24Which convincer when
  25. 25Choosing an induction
  26. 26The sinking induction
  27. 27Body scan
  28. 28Deepening relaxation
  29. 29Combining a two-part induction
  30. 30Coming out after deep work
  31. 31What “block” means here
  32. 32Letting go of what slows you down
  33. 33The ice block
  34. 34The waterfall
  35. 35When you do this work — and when you don’t
  36. 36The autopilot and the new track
  37. 37Taking stock
  38. 38The first evening
  39. 39The new track — the core suggestion
  40. 40The 72 hours afterwards
  41. 41Six small evenings — days two to seven
  42. 42The second evening
  43. 43The voice on the pillow — your own recording
  44. 44Hunger and desire speak the same language
  45. 45Sated desire
  46. 46Clear the field
  47. 47When the day is pressing on you
  48. 48The body that is glad
  49. 49The ritual plan
  50. 50The one lying there
  51. 51When deep instead of bright
  52. 52The evening that holds you
  53. 53Six texts as a gift
  54. 54Desire magnet
  55. 55Body alive
  56. 56Anchoring an erotic goal
  57. 57Sated after sex
  58. 58Room: Soft
  59. 59Room: Waves
  60. 60What you can do now
  61. 61Four weeks that make it stick
  62. 62The way across

Volume Two · The Advanced Craft

  1. 01What Part Two adds
  2. 02Safety again — now that it’s interactive
  3. 03The compact induction
  4. 04Why waking instead of putting to sleep
  5. 05The senses-waker — the short form
  6. 06Direction: yes-signals, questions, plan B
  7. 07The senses-waker — the long form
  8. 08Short or long — when to use which
  9. 09The crossing: out of the waker and into the evening
  10. 10The build order: how an erotic script looks from the inside
  11. 11The four building laws
  12. 12The dial — the part that is never missing
  13. 13The transformation template, blank
  14. 14The template filled in: I’m allowed to want
  15. 15Six lines dissected
  16. 16Metaphors that make heat
  17. 17Small stories that open something
  18. 18The current
  19. 19Your exercise: the ten-minute script
  20. 20The signal: when the finger answers
  21. 21No oracle: what the signal can and cannot do
  22. 22Calibrating: setting up the fingers
  23. 23The signal in bed
  24. 24The switch: a word your body knows
  25. 25The anchor finder
  26. 26Six channels — which one when
  27. 27Where the tool breaks
  28. 28The label: anchoring without ceremony
  29. 29The afterglow window
  30. 30After the peak: the hottest install moment in this book
  31. 31The announcement
  32. 32The word switch
  33. 33The touch point
  34. 34The scent switch
  35. 35The ember sign
  36. 36The charged talisman
  37. 37The look, the gesture
  38. 38Building freely — the master recipe in ten steps
  39. 39The open landscape
  40. 40When it sticks
  41. 41The method of inner rooms
  42. 42Entering the house
  43. 43Room: With her / with him
  44. 44Room: Safely hot
  45. 45Room: Hunger
  46. 46Room: I dare
  47. 47Room: New games
  48. 48Room: What helps now
  49. 49Room: Body alive
  50. 50Room: Familiarity
  51. 51Room: Without porn
  52. 52Room: Slow
  53. 53Room: Dirty
  54. 54Room: Edge
  55. 55Room: Afterglow
  56. 56Building your own house
  57. 57Leading a route
  58. 58Chaining rooms
  59. 59What we don’t do
  60. 60The affect bridge, light
  61. 61Integration
  62. 62XL: the porn autopilot
  63. 63XL: satiety and appetite
  64. 64The vault
  65. 65Mirroring and leading
  66. 66The sentence inside the sentence
  67. 67May instead of must
  68. 68The already-there
  69. 69The hot blank
  70. 70Either way
  71. 71The pattern catalogue
  72. 72The dirty-talk bridge
  73. 73Ten evenings — your shelf inside the book
  74. 74I’m allowed to want
  75. 75Falling asleep after sex
  76. 76Anchoring an erotic wish
  77. 77Radiating attraction
  78. 78Stage fright in bed
  79. 79Starting tonight
  80. 80Body and stamina for the night
  81. 81Learning to lead
  82. 82Bringing a skill to bed
  83. 83The peak evening
  84. 84The practice plan
  85. 85Freestyle without the page
  86. 86Your own voice on tape
  87. 87What you can do now

Chapter titles translated from the German edition. Listed above: 62 of Volume One’s 67 chapters and 87 of Volume Two’s 100 — front matter, appendices and the sub-chapters inside each script are left out to keep this readable.

Kapitelnamen sind 1:1 aus `manuskript_mc/BAND_1_Fundament.md` und `BAND_2_Handwerk.md` gezogen und übersetzt — keine erfundenen Titel. Die Nummerierung listet nur H1-Kapitel; die Gesamtzahlen 67/100 stehen dran, deshalb keine falsche Vollständigkeits-Behauptung.
Dark ink blooming slowly in still water.
Volume One · the ice block and the waterfall

Read this part before you buy

What you don’t get here.

No remote control. No miracles on demand. No promise of healing. Anyone who guarantees you results with another person’s body is selling, not teaching.

This isn’t therapy and doesn’t replace it — where real trauma begins, the book says so and stops. It also isn’t a pile of scripts to perform at someone. If that’s what you’re after, don’t buy this: you’ll be annoyed by chapter three, and fairly so.

For consenting adults, 18+.

Heavy fabric in deep rose, lit from below.
Volume Two · the anchor system

The complete masterclass

From the first proof to speaking freely.

Both volumes are paperbacks, printed and shipped by Amazon. No account with us, no download, no subscription — a book that belongs to you and waits on the shelf for the next evening.

Volume One

The Foundation

Price on Amazon
  • 329 pages · paperback
  • Convincers, inductions, the whole evening
  • This is where you start
Volume One on Amazon
Both volumes

The Masterclass

Price on Amazon
  • 767 pages · 141,919 words
  • More than eighty scripts, word for word
  • Anchors, inner rooms, your own writing
  • Printed, bound, delivered by Amazon

There is no bundle — they are two separate books. Start with Volume One; Volume Two assumes it.

Volume One · start here Volume Two · once One is yours
Volume Two

The Advanced Craft

Price on Amazon
  • 438 pages · paperback
  • Assumes Volume One
  • The workbook
Volume Two on Amazon

You buy at Amazon — with your existing account, shipping and returns like any book there. A paperback on your shelf: no platform to be locked out of, no app, nothing that expires.

AMAZON-FUNNEL (Tims Entscheid 29.07., gespiegelt von der DE-Seite): kein Direktverkauf, keine Garantie-Zusage, kein E-Mail-Capture. Links sind SUCH-Platzhalter, bis die EN-Ausgaben live sind — dann href auf https://www.amazon.com/dp/<ASIN> stellen (data-asin markiert die Stellen; im QUELLTEXT ändern, nicht im Output). PREISE $39.99/$69.99 spiegeln den DE-Preisentscheid (39,99/69,99 €) und sind NICHT bestätigt — vor Launch festlegen. Die EN-Übersetzung existiert noch nicht; Seite bleibt bis dahin noindex.

Before you ask.

Does any of this work without a partner?

Be honest with yourself here: this is a craft of leading another person, and it’s written for two. What you can do alone is limited — the small solo exercises, and the recording of your own voice that Volume One teaches you to make. If you’re on your own for now, start with the free script above and save the Masterclass for when there’s someone to lead.

Do I have to read it out loud?

Yes, at the start, and that embarrassment lasts about one evening. Every script is laid out to be read from the page. By the end of Volume Two you won’t need the page, and there’s an eight-to-twelve-week plan for getting there.

Is this therapy?

No. It’s a craft taught for pleasure between consenting adults. Where the material touches shame it stays deliberately light and names the line where therapy begins — there’s a whole chapter on when not to do this work.

My partner thinks hypnosis is nonsense.

Good. Start with the free script above — it’s designed for exactly that person, takes four minutes, asks for no belief and nothing sexual. Belief isn’t a prerequisite here; it’s a side effect.

Is it safe?

Volume One opens with contraindications, a hard list of who shouldn’t do this, and the Yes script you speak before every evening. Volume Two revisits safety the moment the work becomes interactive. Anyone can end a session at any point, and the finger signal exists so that stays true even in deep trance.

What do I actually receive?

A paperback — Volume One, Volume Two, or both — printed and shipped by Amazon through your existing account. No files, no reader app, nothing that expires.

Do I need to have read the Handbook first?

No. Erotic Hypnosis: The Handbook is the overview; this is the training. See the comparison below.

Who is Mira Janssen?

A pen name, and deliberately so. What she writes under it is explicit enough about other people’s bedrooms that keeping her private life private is the only workable arrangement. What’s verifiable is the work: the Handbook series, and these two volumes. More about Mira Janssen and every book →

If you already own the Handbook

The Handbook explains it. This teaches it.

Erotic Hypnosis: The HandbookThe Masterclass
What it isThe overview of the fieldThe training
LengthAbout 44,000 words141,919 words, two volumes
ScriptsA selectionMore than eighty, written out word for word
What you do with itRead it and understand the subjectWork through it evening by evening for three months
AnchorsExplainedSix channels, full life cycle, repair and release
Writing your ownNot coveredAn entire part of Volume Two

You don’t need the Handbook to start here. If you’ve read it, you’ll recognise the ground in the first chapter and then leave it behind.

Readers

This is where readers’ own words will go.

There is nothing here yet, and inventing something would be a strange way to begin teaching honesty in the dark. When readers write about what actually happened, their words will fill this space — with permission, under first names only.

HARTE REGEL: Hier kommen ausschließlich echte, mit Erlaubnis zitierte Leserstimmen rein. Erfundene Testimonials sind bei Amazon-Autoren ein realer Abmahn- und Reputationsschaden, und die Nische ist klein genug, dass es auffällt. Quelle: die Rückläufer auf Mail 5 der Sequenz — die Frage ist dort schon so gestellt, dass die Antworten zitierfähig sind.

The rest of the shelf

If you’d rather start smaller.

The Handbook series is on Amazon — Kindle, paperback, and Kindle Unlimited.

Erotic Hypnosis: The Handbook
The overview — where most readers starton Amazon Erotic Hypnosis: The Advanced Handbook
More scripts, same handbook formaton Amazon Dirty Talk: The Handbook
The words themselves — what to say, and how to say iton Amazon
Diese drei verdienen ab Tag 1 Geld, auch bevor die Masterclass übersetzt ist — laut Ads-Plan ~29 % des gesamten bezahlten Katalogabsatzes und KU-stark. Cover-JPGs einsetzen, Links auf die echten ASINs, Preise vor Launch gegen amazon.com prüfen.